![]() If the fonts are too similar, you may create an awkward tension between them, which makes it hard for the viewer to understand where to look first. For instance, when you’re pairing fonts together, you’ll want to keep contrast in mind. ![]() Utilizing contrast can add emphasis to different parts of the graphic, such as the call to action. If your graphic is cramped and claustrophobic, it may make it harder for people to read and really take in the information.Īnother practice in design psychology is contrast. When you let your design elements breathe, it allows people to be able to actually focus on what it is, what it says, what it does, and what it shows. You should never add an element to a design simply because it “looks pretty.” There should always be a purpose behind it, whether that’s to draw attention to a particular element or to add to the overall context of the message!įor example, you may add padding to your design, which relates to how much negative space there is around an element in your graphic. Once you understand the intent of the piece, you can start designing with intention. What should the viewer do when they see it? ![]() In the first column: write a list of everything you love to do.Whenever you start working on a project, the very first thing you should do is ask yourself the intent behind the piece. What happens when you love everything and don't know what to specialize in? Grab a pen and paper, and separate the paper into two columns. For the second column, ask yourself: what is going to help me create the most impact on the goal of what I want to do? In the first column: write a list of everything you love to do. Is this something you enjoy? Something you find fun? Does it get you out of bed every day? Remember to do what you love and enjoy. While on your path to discovering what it is you want to do and what you need to do to get there, check in with yourself along the way. Our whole lives should be designed around play. People have their own unique gifts that education should accommodate and cultivate instead of beating everyone into the same box.Īlan Watts, a British writer and speaker, once said, “We shouldn't work, we should play. We believe that people should be allowed to learn the way they want on subjects they want to learn. Understand, too, that people learn in their own ways. Teaching also helps you know and understand your own creative process so you can design something repeatable that generates predictable results. When you teach, you open the door to people who want to do what you do. That’s why teaching is a great way to improve your own skills, while elevating others around you. If you’re going to build a career as a designer or a creative professional, you have to know how to speak about yourself, sell your services, negotiate with clients, and understand what you’re worth to make it all happen. Once you have a good grasp on your self-awareness, there are three key components you’ll want to familiarize yourself with to build a successful career: marketing, business/entrepreneurship, and, of course, design. If you don’t yet know your self-worth, practice mindfulness on a regular basis. How you view yourself shapes everything you say, think, and do. If you want to build a successful, sustainable career as a creative, you need to know how to do more than just design.įirst and foremost, it’s absolutely essential to understand your self-worth. It’s not enough to just be a good designer anymore. Today, it’s more important than ever for creatives to be well-rounded in their skillsets. He breaks down the different categories required to become a successful designer and answers questions from the live audience along the way.Ĭhris shares a new curriculum for self-taught designers and what everyone-designer or not-needs to learn. ![]() In this RAW livestream, Chris Do talks about the future of education and how students can prepare for it. Regardless of where you obtain your design education, there are some basic fundamentals every designer needs to know.
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